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Whether you are applying a LUT to grade standard footage or using LUTs to bring color back to Log footage, you can do so easily in Premiere Pro using the Color. Added new updated format LUTS, Orange & Teal versions of all LUTs, Cine4, Slog2 & Slog3. Added Gamma Curves and Roll Off together with Sony DELUTS Primary Master Gamut. Download Sony LUTs for color grading Slog2 & Slog3 footage. With over 50 looks, you can give your footage stylish cinematic color grades in no time. Looks range from subtle to extreme. You will be sure to get the look you want for your film. Each look was created with usability in mind. There are some film-look LUT’s and 709 (normal TV look) LUT’s and in each case there are LUT’s for normal exposure as well as footage exposed 1 stop and 2 stops brighter. If a LUT name includes “1OVER” this means that the LUT is designed to work with footage that has been exposed 1 stop brighter than the levels given by Sony. . 10 LUTs. User-friendly and fast download. The files are in.CUBE format. Appropriate for beginner and professional video editors. Compatibility with Sony Vegas, Premiere Pro CC, After Effects CC, FCPX, DaVinci Resolve, Adobe Photoshop, Luminar, etc.

Using Picture Profile presets with S-Log

When shooting in S-Log, use Picture Profile presets PP7, PP8, or PP9.

The PP7 preset combines S-Gamut and S-Log2, while PP8 is S-Gamut3.cine/S-Log3 and PP9 is S-Gamut3/S-Log3. Here, select PP7 (S-Gamut/S-Log2) and leave the preset details as-is. A distinction of this Picture Profile, intended for subsequent color grading, is a gamma broad enough for movie production.

Camera setting and types of Picture Profiles

MENU → (Camera Settings) → [Picture Profile] → desired setting.

PP1:

Example setting using [Movie] gamma

PP2:

Example setting using [Still] gamma

PP3:

Example setting of natural color tone using the [ITU709] gamma

PP4:

Example setting of a color tone faithful to the ITU709 standard

PP5:

Example setting using [Cine1] gamma

PP6:

Example setting using [Cine2] gamma

PP7:

Example setting using [S-Log2] gamma

PP8:

Example setting using the [S-Log3] gamma and the [S-Gamut3.Cine] under [Color Mode].

PP9:

Example setting using the [S-Log3] gamma and the [S-Gamut3] under [Color Mode].

PP10:

Example setting for recording HDR movies using [HLG2] gamma.

• Learn more

Why Log video looks faded and low-contrast

Often, gamuts used in professional video applications conform to ITU-R BT.709 (Rec. 709), established for HDTVs. This is illustrated below.

Here, the curved color space represents the range of human vision. The gamut of Rec. 709 is much narrower. In contrast, it is easy to appreciate how much broader S-Gamuts used in S-Log recording are.

When viewed on a screen designed for Rec. 709, Log video lacks contrast because the screen cannot display the full gamut.

The ITU-R BT.2020 gamut outlined in green can be reproduced by 4K equipment. This shows how much broader your creative palette is in 4K than in HD.

Appearance of S-Log2 video on a Rec. 709 screen

Sony Slog2 To Rec709 Lut Download

Easily reproducing colors on Rec. 709 screens with 3D LUTs

Optimal display of Log video on Rec. 709 screens requires color grading, when you will use lookup tables (LUTs). This conversion prepares the material for display on Rec. 709 screens.

Unlike 1D LUTs, which mainly adjust luminance, 3D LUTs control hue, saturation, and brightness of each RGB color. LUTs simplify color grading, because without them, instant S-Log video display matching the gamut of Rec. 709 screens would be difficult as you adjust tone curves, hue, saturation, and other details two-dimensionally.

Sony Fs7 Slog2 Lut Download

When ILCE-7SM3 has recorded movies in the [S-Log3] gamma and S-Gamut3.Cine under Color Mode or S-Gamut3 under Color Mode, you can use this LUT.

Using Gamma Display Assist and external monitors

To make it easier to check S-Log video on a Rec. 709 screen as you shoot, use Gamma Display Assist to apply LUTs. The contrast of viewfinder and monitor display will look as if you were not shooting in S-Log. In this way, Gamma Display Assist enables precise camerawork, whether you are checking subjects or adjusting the focus.

You can also take advantage of LUT-compatible external monitors, which are now more common.

Comparison of using a LUT on an external monitor

This video introduces shooting in S-Log and shows how effective it can be.

When shooting in S-Log, you can choose S-Log2 or S-Log3. Colors are reproduced differently depending on your choice, so use the right option for your workflow.

Technicolor Lut Download

In this video, you can see how S-Log2 colors differ from those of S-Log3.