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Mac Lethal Irish Goodbye Downloader
Blood in my lungs
Shotgun in my own mouth
Ballin' so hard I got money I don't count
Stacks in my pocket, stacks cause I'm indie
Even though the fuckin odds were just stacked up against me
Hold up, I took a shot of whiskey now I'm fine
Ain't a single one of you gon' say this city isn't mine
Even though these record labels told me that I need to act realer
They said they'll sign me if I act like I'm Mac Miller
Some even said they wouldn't sign me cause I'm balding
Even though my flow is straight scalding
Now I'm losin confidence I feel like quittin music
Even though my flow is so abusive
I'm just scared to let my balls swing
So fuck ya'll, I ain't somebody's pet dog
I pull a gun on all these record labels get robbed
I gotta make you bang your head until your neck throb
No one in their right mind deserves to work a desk job
I'm gonna catch this dream before I die bitch
I don't even need a cheesy pop single or a chorus
Ya'll bout to watch me shift the whole entire global orbit
I'm on my own dick it's so big, it's so enormous
I think I'll swallow myself like I'm the Ouroboros
Morbid, black poisonus orchids
Torture anybody on that music business whore shit
'How much does a feature cost?'
Bitch you can't afford it
Ten billion unmarked bills on a forklift
I smack the paparazzi bitch I'm on that Bjork shit
Drinkin Beaujolais and a plate of seared swordfish
Either that or Farmhouse Ale with some pork tips
I quilt words together it's so gorgeous
I never quit it would be bad news to my fans
I'm committed I put tattoos on my hands
I'll never get a real job
So I'm just stuck makin music
For the goodnatured people that just feel odd
I'm gonna catch this dream before I die bitch
Listen, I ain't dissin anybody
Tryin to work a 9-5 so they can get a little money
But if you feel like you got a passion that you gotta chase
Quit your job and hock a loogy in your boss's face
Cause I spent too long showin up to work formal
How can I do normal work?
My brain don't even work normal
I'd rather spray paint the stars til their black
Therapeutic gangster rap
There's a market for that, What up
Look, if I was Gucci Mane Pitchfork would say
I'm the greatest fuckin writer of my day
I'm sick of music publications giddy in their press for thugs
Ya'll are named Pitchfork why you obsessed with Bloods?
Just because I'm white and used to mess with drugs
Does not mean Eminem's the reason that I rap
I know real gangsters and people in the trap
It's a fantasy for ya'll and we're just leavin it at that
Bitch
I'm gonna catch this dream before I die bitch
- Download Full Tracks Description Not sure exactly how I came to this realization - and I think it was just minutes ago, really - but Mac Lethal is a lot like the guy I secretly wish I was.
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- Irish Goodbye by Mac Lethal, released 31 December 2011 1. Morimoto (Just Duet) 3. Royals Cap (Number the Stars) 5. Black Rainbow 6. Vodka Tonic With a Lime 8. Happy To Be Living 9. Quarter Life 10. Slut (Recorded at a motel in Fargo during a blizzard) 12. Jake + Olive 13. Old Rasputin (Every Night) 14.
Irish Goodbye
Mac Lethal lyrics
- 1. Alphabet insanity
- 2. Pale Kid Raps Faster!
- 3. Pancake Rap (Cook With Me..
- 4. Black Rainbow
- 5. Jake + Olive
- 6. Beatbox + iPhone + Guitar..
- 7. Pass The Ammo
- 8. My Mom Izza Thug
- 9. Marijuana Plants On Satur..
- 10. Royals Cap (Number The St..
Black Clover Records :: 2011 :: buy this record
Mac Lethal Irish Goodbye Download Mp3
Unexpectedly, though, with the help of resources like Tumblr and Youtube, the rapper recently came back under the light, thanks to some crazy video showing him rapping while cooking pancakes, which became a global buzz on the Internet. Surprisingly, Mac Lethal even made it to the French TV. By then, we realized that David McCleary Sheldon – his real name – never called it quits with rap music. As many of his colleagues, who never really made it, he was keeping on releasing mixtapes, or even real records on his own label, Black Clover.
Irish Goodbye was released just after the pancake video, on December 31, 2011. And obviously, with this record, Mac Lethal was trying hard to capitalize on his renewed notoriety. The title sounded like a resignation – an Irish goodbye is when one leaves a pub without saluting his friends, explained the rapper on 'No Miracle'. But in fact, the content was saying the complete opposite.
This album was full of bitterness, true enough, more particularly on the introductory track, theenraged 'The Parlour', where the rapper, quite angry, was attributing the failures of his career to his willingness to stay real, blaming medias like Pitchfork for praising demagogic trap rap like Gucci Mane's, instead of the more authentic and honest forms of hip-hop like, according to him, his own. Disgust and rancor were never too far on Irish Goodbye; however, the beats of Michael 'Seven' Summers – a frequent collaborator of Tech N9ne, the best rapper in Kansas City – offered melodies and catchy tunes which proved that, finally, the guy hadn't fully abandoned his hunger for success.
The album was also full of light-hearted tracks, and nice hooks anybody could whistle in the shower, like with 'Morimoto (Just Duet)', 'Aviator', 'Wooooo!!!', 'Every Night' or the weaker 'Happy to Be Living'. There, Mac Lethal was saying that his life was great, or that he was happy to be happy, and the beats were in the same mood: optimistic, welcoming, rich and warm, from the strings of 'Vodka Tonic With a Lime' to the eerie feminine voices of 'Black Rainbow' and 'Now Miracle'. Mac Lethal wasn't confined exclusively to cynicism and acrimony; he could also posture himself as a wise and sensible rapper, reflecting on his life on 'Quarter Life' and 'No Miracle', questioning the attitude of an easy girl ('Slut'), or, with the appropriate help of some local folk music, exploring his Irish roots through the love and migration story of his grandparents ('Jake + Olive').
Irish Goodbye is, almost, Mac Lethal's mainstream album. He is no Macklemore, though. No demagogy for teenagers there. And, as a result, no international success neither – the guy, anyway, never looked like a rock star. This record showed, however, and as lately as in 2011, that this archetypal product of the early 2000's indie rap scene could still be alive, convincing and relevant.